As a theatre director, EB is interested in working with young performers from a broad range of creative backgrounds and experiences in professional contexts. For Concord Floral, she directed five ensembles of teenagers across Canada, and she is currently in pre-production for the world premier of Is my microphone on? featuring a cast of German youth ages 12-17. She has also directed work for young audiences such as This Will Be Excellent.
EB holds a B.A. in Fine Arts from Mount Allison University; a B.Ed. from Memorial University of Newfoundland; and a practiced-based MA International Performance Research, jointly from the University of Warwick and the University of Amsterdam.
OFFERS AND ANSWERS
During the first months of the global pandemic in 2020, EB initiated artistic labs for collaboration between professional artists and teenagers in Germany and Canada. These creative explorations were made in association with first Is my microphone on? and later under the performance umbrella Generous Friend. Artist-collaborators include Erum Khan, Veda Hille and Sherri Hay.
These labs are ongoing. Check back for more details.
HERE IS HOW YOU LISTEN
Here is how you listen was a teenage laboratory and playground for collaborative learning over time. It was an experiment in encounters with art in our city.
Over two school years, the collective saw and spoke about work in Toronto together, alongside the development of their own projects across disciplines.
Here is how you listen was a project facilitated by artists Erin Brubacher and Cara Spooner that built on artistic learning and experience over time. Participants developed tools and skills to create new works across disciplines, following their individual interests, starting from a performance framework. They established and grew a shared vocabulary that allowed them both to be reciprocal outside-eyes and critical support for each other’s artistic experiments, while responding to professional work with which they engaged.
The purpose of the project was to make and develop a continuous creative learning relationships and mentorship with teenagers from across the Greater Toronto Area, through a project which served as a supported performance laboratory for young artists and a grounds for artistic critique.
While Here is how you listen was funded by the Ontario Arts Council, the project relied on support from cultural institutions for tickets to shows and events and access to meeting/ presentation space. We were fortunate to make partnerships with The Theatre Centre, Nightswimming Theatre, FADO, Tarragon Theatre, The Progress Festival, Workman Arts, The Art Gallery of Ontario, The Power Plant, DanceMakers, Gallery 44 and World Stage at Harbourfront Centre.
Examples of participant work:
This ^ documentary by Melisa Sofi charts the creation processes of ten young artists in the Here is how you listen collective. The film follows their journies of making art, making mistakes, getting it right, dreaming, innovating and learning to work together, all while trying to finish grade 12.
CUTTING THE WHALE was a curation project by Theo Gallaro with video installation by Sonia Scarlat
The Here is how you listen collective was:
Joshua Augusto, Theo Gallaro, Jahnelle Jones-Willams, Jovana Miladinović, Jessica Munk, Meesung Park, Mick Robertson, Sonia Scarlat, Melisa Sofi, Liam Sullivan, with Erin Brubacher, Cara Spooner and other associated artists.
For three years, EB directed The Spring Training Project, The Young Playwrights Unit and Rehearsal Hall - a culminating weekend of performance in process - at Tarragon Theatre where she was Director of Education from 2011/2012 - 2013/2014.
Erin led teams of artist mentor-teachers including: Sean Dixon, Andrea Donaldson, Ravi Jain, Andrew Kushnir, Kayla Lorette, Tawiah M’carthy, Leora Morris, Peter Pasyk, Ngozi Paul, Erin Shields, Cara Spooner and others.